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x-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Director: Olivier Megaton (as Olivier Mégaton)
Writers: Luc Besson, Robert Mark Kamen,
Storyline:
40 years after Arthur Kipps' experience at Eel Marsh house, a group of children under the care of two women, escaping from war-torn London, arrive to the house and become the next target for the ghost of Jennette Humfrye, otherwise known as The Woman in Black. With the help of a fellow soldier, the women and children must fend off the spirit of Jennette Humfrye, and end her presence once and for all.
Taken 3 Movie Trailer:
Taken 3 Movie Reviews:
I have not scanned all the reviews, but in the case that that none have praised the splendid set designs, I wish to do so here. It is evident that much thought went into the sets and the props for this movie, just like in the first; and I was completely convinced that I was seeing Eel Marsh house and Crythin Gifford forty years after Arthur Kipps. The dismal and melancholy atmosphere was much less in the sequel, but perhaps this was because of the size of the cast. If Hammer would undertake to produce remakes of the excellent BBC M.R. James stories, I would welcome such enthusiastically. And if Susan Hill were to pick up her pen again and weave another story involving remote and lonely British locales, ruined or dilapidated houses, and nineteenth century tragedies haunting the present day, I would be transported!
I have not scanned all the reviews, but in the case that that none have praised the splendid set designs, I wish to do so here. It is evident that much thought went into the sets and the props for this movie, just like in the first; and I was completely convinced that I was seeing Eel Marsh house and Crythin Gifford forty years after Arthur Kipps. The dismal and melancholy atmosphere was much less in the sequel, but perhaps this was because of the size of the cast. If Hammer would undertake to produce remakes of the excellent BBC M.R. James stories, I would welcome such enthusiastically. And if Susan Hill were to pick up her pen again and weave another story involving remote and lonely British locales, ruined or dilapidated houses, and nineteenth century tragedies haunting the present day, I would be transported!
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